pigeon
2020, Seoul
Client *
Gallery Whitenoise
Collaboration *
Rondi Park
At this point, there is no perfect solution to the problems of each pigeon, the microplastics of detergent and urban environmental pollution of pigeons, so is the alternative to abstract pollutants, which are image particles derived and decomposed as part of natural phenomena. The best possible method is, in the end, ‘in vitro emissions'. Just as microplastics are actually mixed as part of the excrement, allowing the body to maintain its health, the artist can protect his abstract system by emitting images that have been deposited. In the process, confrontation and correspondence will be mixed with remains that is completely unrecognizable so that it cannot be judged in any way. Therefore, although it is not pure, it can be a single, thin, heavy image. The constant emission of images is, after all, a survival method to establish and protect the abstract world of the artist, and a voluntary test of the image of the source to protect the unshakable uniqueness. It is also a wish for a liberal image, hoping that many parallel worlds in the image will reunite to become one and that pigeon can fly again.
참여작가 Artists : 박민하 @min.ha.park, 이수민 @maybesumin, 최하늘 @haneyl_choi, 허수연 @huhchuchu
기획 및 글 Curated & Text : 조정민 @nowherejmc
포스터 Poster : 박수지 스튜디오 @sujipark_studio
기간 Date : 2020.6.5 - 2020.6.28 (Everyday 3-7pm, Monday Closed)
장소 Location : 화이트노이즈, 서울시 서초구 방배로 42길 31-3 지하1층
WHITE NOISE, B1, Bangbae-ro 42gil 31-3, Seocho-gu, Seoul